From my research: "Dancing Bach on the organ":
RAGE can be both destructive and creative. Regarding the performance of a toccata, prelude, fantasy or fugue with the sound of the full organ it can be transformed into force and majesty:
Re-listening to the above recording I found the performance too quick, not monumental enough. To improve this I imagined the legendary Dutch organist Feike Asma playing in a large church and feeling his presence: